Tipo de sensor | CMOS |
---|---|
megapíxeles totales | 24.8 Mpx |
Montura del lente |
|
---|
tipo HD | 4K Ultra HD |
---|---|
Formatos de video compatibles | XAVC |
Velocidad máxima de fotogramas | 60.0 fps |
color del producto | Negro |
---|---|
Temperatura de funcionamiento | 0 - 40 |
Tarjetas de memoria compatibles | Dakota del Sur |
---|---|
Tipos de almacenamiento | Tarjeta de memoria |
YO ASI |
|
---|---|
Resolución máxima de imagen | 6054 x 3272 px |
Modos de balance de blancos | Manual |
Formatos de archivo de imagen admitidos | RAW |
Estabilizador de imagen | No |
pantalla incorporada | Sí |
---|---|
Tipo de visor | Electrónico |
Pantalla desplegable | Sí |
Micrófono incorporado | Sí |
---|---|
Altavoces incorporados | Sí |
Formatos de archivos de audio compatibles | LPCM |
Altura | 158.0 mm |
---|---|
Ancho | 147.0 mm |
Profundidad | 235.0 mm |
Peso | 3900.0 g |
HDMI | Sí |
---|---|
Wifi | No |
Bluetooth | No |
I am not a Sony shooter, but, for the last couple of months, I’ve gotten a chance to play with the Sony a7S III and use it for an assortment of projects. Here are my impressions from the outside looking in. The other day I was having coffee with my mentor from the American Society of Cinematographers. He’s a very well-established cinematographer responsible for the looks of several highly-regarded movies and TV shows. So, I tend to listen to pretty much everything he says in search of any nuggets of advice I can use in my own work. I can ask him anything.
The Venice 2 takes over the original Venice as Sony's flagship cinema camera. It's available with two different sensor options and is capable of recording internal Raw.
The Sony PXW-FX9 seems destined to be as successful as Sony’s PXW-FS7 and FS7 MKII. We take a closer look at the company's latest XDCAM.
AK-HC5000
HDC-SD9
AJ-PX5000
NVGS500
GZ-MG575
GZ-R315