Tipo di sensore | CMOS |
---|---|
Megapixel totali | 24.8 Mpx |
Attacco obiettivo |
|
---|
Tipo HD | 4K Ultra HD |
---|---|
Formati video supportati | XAVC |
Frequenza fotogrammi massima | 60.0 fps |
Colore del prodotto | Nero |
---|---|
Temperatura di esercizio | 0 - 40 |
Schede di memoria compatibili | SD |
---|---|
Tipi di archiviazione | Scheda di memoria |
ISO |
|
---|---|
Massima risoluzione dell'immagine | 6054 x 3272 px |
Modalità di bilanciamento del bianco | Manuale |
Formati di file immagine supportati | RAW |
Stabilizzatore d'immagine | No |
Display integrato | sì |
---|---|
Tipo di mirino | Elettronico |
Schermo estraibile | sì |
Microfono incorporato | sì |
---|---|
Altoparlanti incorporati | sì |
Formati di file audio supportati | LPCM |
Altezza | 158.0 mm |
---|---|
Larghezza | 147.0 mm |
Profondità | 235.0 mm |
Peso | 3900.0 g |
HDMI | sì |
---|---|
Wifi | No |
Bluetooth | No |
I am not a Sony shooter, but, for the last couple of months, I’ve gotten a chance to play with the Sony a7S III and use it for an assortment of projects. Here are my impressions from the outside looking in. The other day I was having coffee with my mentor from the American Society of Cinematographers. He’s a very well-established cinematographer responsible for the looks of several highly-regarded movies and TV shows. So, I tend to listen to pretty much everything he says in search of any nuggets of advice I can use in my own work. I can ask him anything.
The Venice 2 takes over the original Venice as Sony's flagship cinema camera. It's available with two different sensor options and is capable of recording internal Raw.
The Sony PXW-FX9 seems destined to be as successful as Sony’s PXW-FS7 and FS7 MKII. We take a closer look at the company's latest XDCAM.
GZ-MG575
HDC-SD60
HDC-SD9
GZ-HM435
HF R40
GZ-MG36