Sensor type | CMOS |
---|---|
Total megapixels | 24.8 Mpx |
Lens mount |
|
---|
HD type | 4K Ultra HD |
---|---|
Video formats supported | XAVC |
Maximum frame rate | 60.0 fps |
Colour of product | Black |
---|---|
Operating temperature | 0 - 40 |
Compatible memory cards | SD |
---|---|
Storage types | Memory card |
ISO |
|
---|---|
Maximum image resolution | 6054 x 3272 px |
White balance modes | Manual |
Supported image file formats | RAW |
Image stabilizer | no |
Built-in display | yes |
---|---|
Viewfinder type | Electronic |
Flip-out screen | yes |
Built-in microphone | yes |
---|---|
Built-in speaker(s) | yes |
Supported audio file formats | LPCM |
Height | 6.22 in |
---|---|
Width | 5.79 in |
Depth | 9.25 in |
Weight | 137.57 oz |
HDMI | yes |
---|---|
Wi-Fi | no |
Bluetooth | no |
I am not a Sony shooter, but, for the last couple of months, I’ve gotten a chance to play with the Sony a7S III and use it for an assortment of projects. Here are my impressions from the outside looking in. The other day I was having coffee with my mentor from the American Society of Cinematographers. He’s a very well-established cinematographer responsible for the looks of several highly-regarded movies and TV shows. So, I tend to listen to pretty much everything he says in search of any nuggets of advice I can use in my own work. I can ask him anything.
The Venice 2 takes over the original Venice as Sony's flagship cinema camera. It's available with two different sensor options and is capable of recording internal Raw.
The Sony PXW-FX9 seems destined to be as successful as Sony’s PXW-FS7 and FS7 MKII. We take a closer look at the company's latest XDCAM.
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