Sensorart | CMOS |
---|---|
Insgesamt Megapixel | 24.8 Mpx |
Objektivfassung |
|
---|
HD-Typ | 4K Ultra HD |
---|---|
Videoformate werden unterstützt | XAVC |
Maximale Bildrate | 60.0 fps |
Farbe des Produkts | Schwarz |
---|---|
Betriebstemperatur | 0 - 40 |
Kompatible Speicherkarten | SD |
---|---|
Speichertypen | Speicherkarte |
ISO |
|
---|---|
Maximale Bildauflösung | 6054 x 3272 px |
Weißabgleich-Modi | Handbuch |
Unterstützte Bilddateiformate | RAW |
Bildstabilisator | Nein |
Eingebautes Display | Ja |
---|---|
Suchertyp | Elektronisch |
Ausklappbarer Bildschirm | Ja |
Eingebautes Mikrophon | Ja |
---|---|
Eingebaute Lautsprecher | Ja |
Unterstützte Audiodateiformate | LPCM |
Höhe | 158.0 mm |
---|---|
Breite | 147.0 mm |
Tiefe | 235.0 mm |
Gewicht | 3900.0 g |
HDMI | Ja |
---|---|
W-lan | Nein |
Bluetooth | Nein |
I am not a Sony shooter, but, for the last couple of months, I’ve gotten a chance to play with the Sony a7S III and use it for an assortment of projects. Here are my impressions from the outside looking in. The other day I was having coffee with my mentor from the American Society of Cinematographers. He’s a very well-established cinematographer responsible for the looks of several highly-regarded movies and TV shows. So, I tend to listen to pretty much everything he says in search of any nuggets of advice I can use in my own work. I can ask him anything.
The Venice 2 takes over the original Venice as Sony's flagship cinema camera. It's available with two different sensor options and is capable of recording internal Raw.
The Sony PXW-FX9 seems destined to be as successful as Sony’s PXW-FS7 and FS7 MKII. We take a closer look at the company's latest XDCAM.
AJ-PX5000
DZ-GX20
HF R56
NVGS500
HF R40
AK-HC5000