Type de capteur | CMOS |
---|---|
Total mégapixels | 24.8 Mpx |
Monture de lentilles |
|
---|
Type HD | 4K Ultra HD |
---|---|
Formats vidéo pris en charge | XAVC |
Fréquence d'images maximale | 60.0 fps |
Couleur du produit | Noir |
---|---|
Température de fonctionnement | 0 - 40 |
Cartes mémoire compatibles | Dakota du Sud |
---|---|
Types de stockage | Carte mémoire |
ISO |
|
---|---|
Résolution d'image maximale | 6054 x 3272 px |
Modes de balance des blancs | Manuel |
Formats de fichier image pris en charge | RAW |
Stabilisateur d'image | Non |
Affichage intégré | Oui |
---|---|
Type de viseur | Électronique |
Écran rabattable | Oui |
Microphone intégré | Oui |
---|---|
Haut-parleur (s) intégré (s) | Oui |
Formats de fichiers audio pris en charge | LPCM |
la taille | 158.0 mm |
---|---|
Largeur | 147.0 mm |
Profondeur | 235.0 mm |
Poids | 3900.0 g |
HDMI | Oui |
---|---|
Wifi | Non |
Bluetooth | Non |
I am not a Sony shooter, but, for the last couple of months, I’ve gotten a chance to play with the Sony a7S III and use it for an assortment of projects. Here are my impressions from the outside looking in. The other day I was having coffee with my mentor from the American Society of Cinematographers. He’s a very well-established cinematographer responsible for the looks of several highly-regarded movies and TV shows. So, I tend to listen to pretty much everything he says in search of any nuggets of advice I can use in my own work. I can ask him anything.
The Venice 2 takes over the original Venice as Sony's flagship cinema camera. It's available with two different sensor options and is capable of recording internal Raw.
The Sony PXW-FX9 seems destined to be as successful as Sony’s PXW-FS7 and FS7 MKII. We take a closer look at the company's latest XDCAM.
HF R40
HC-V550
HF R86
AJ-PX5000
DZ-GX20
VP-D903