Poor | Average | Good | Excellent | |
---|---|---|---|---|
Driver size | 53 mm Best: Hauppauge XFones Driver size: 400 mm | |||
Impedance | 48 Ω Best: Stax SR-L500 Impedance: 145000 Ω | |||
Weight | 290 g Best: Cyber Acoustics ACM-7002 Weight: 0.11 g |
Sound output | Stereo |
---|---|
Style | Over-Ear |
Connectivity technology | Wired |
Headset (integrated/enclosed microphone) | no |
Weight | 10.23 oz |
---|
Inputs supported |
|
---|---|
Cable length | 3 |
3.5 mm/6.3 mm adapter included | yes |
Type of connector | 3.5mm |
USB | no |
Detachable cable | no |
Colour of product | Black |
---|---|
Acoustic design | Closed |
Attachment type | Headband |
Category | Audiophile |
Connector contacts plating | Gold |
Impedance | 48.0 Ω |
---|---|
Frequency range | 5 - 30000 |
Diaphragm diameter | 2.1 in |
Driver technology | Dynamic |
Driver size | 2.09 in |
Maximum input power | 500.0 mW |
Battery operated | no |
---|---|
Power handling capacity | 500.0 mW |
After nine long years, the Japanese company has released the ATH-A500X as an upgrade to its ATH-A500. Being monitor headphones specialized in mixing and making music, let's take a look at what these hi-fi ear cups will bring to the table.
With the ATH-A500, Audio Technica has produced a set of cans that really should be on your audition list
The largest headphone in the group has some serious hi-fi credentials
SHE3200
K480 NC
NWZ-W262
SC 232
E2
HP-F140