Lensbaby Composer Pro II

Lensbaby has unveiled a new module for its Composer Pro II lens housing with the Edge 35 Optic, which creates a side-to-side, slice of focus effect.

Lensbaby's Composer Pro II lens features a better build than the original and can be bought along with your choice of lens.

Sometimes an old fashioned recipe and the latest modern technology don’t mix: zap-blasting your grandmother’s vegetable soup ingredients in a 10,000-watt microwave instead of slowly simmering them for six hours, for example. But other times strange bedfellows bring out the best in each other. Such is the case with Lensbaby optics on modern digital cameras.

The Lensbaby Sweet 80mm f2.8 is an option that portrait and landscape photographers will really appreciate. It's a creator's lens, nothing else.

There are different kinds of tools for different kinds of jobs. And the lenses being offered by Lensbaby are certainly one of those photographic instruments, that can serve you very well, if only you know very well what you are trying to achieve. For the last two weeks I have had a chance to test the Lensbaby Composer Pro with the Sweet 50 Optic attached to my Fujifilm X-T1 and here are my findings. If you are nor familiar with the Lensbaby system of lenses, here is a short summary from the Lensbaby website: 'Lensbaby offers several interchangeable optics for the Composer Pro lens. Each optic produces a different creative effect. Start with a sweet spot of focus surrounded by dynamic blur then swap your optic to experiment with a sharp slice of focus bordered by smooth blur, a soft focus, or fun bokeh.' Basically, what you have to do is attach the Composer Pro Optic Swap lens body to the lens mount on your camera body (finally a couple of Lensbaby products are also available as Fujifilm X-mount versions!!) and then, attach one of their Optics on top of the Composer Pro. The final configuration (in my case with the Sweet