Słaby | Przeciętny | Dobry | Świetny | |
---|---|---|---|---|
Rozmiar ekranu | 2 in Najlepsza: Sony Cyber-shot DSC-W710 Rozmiar ekranu: 6,7 in | |||
ISO maks | 1600 Najlepsza: Pentax KP ISO maks: 819200 | |||
Efektywne piksele | 6 Mpx Najlepsza: Hasselblad H6D-100c Efektywne piksele: 100 Mpx | |||
Maksymalna rozdzielczość | 4256 x 2848 px Najlepsza: Leica M11 Maksymalna rozdzielczość: 9528 x 6328 px |
Typ czujnika | CCD |
---|---|
Format czujnika obrazu | APS-C |
Rozmiar czujnika | 23.0 mm |
Fotodetektorowe czujniki | 12.0 Mpx |
Efektywne piksele | 6.0 Mpx |
Współczynnik obrazu w: h | 3:2 |
Maksymalna rozdzielczość | 4256 x 2848 px |
Inne uchwały |
|
Mocowanie obiektywu | Nikon F |
---|---|
Mnożnik ogniskowej | 1.5x |
Autofocus |
|
Ręczne ustawianie ostrości | Tak |
Minimalny czas otwarcia migawki | 30.0 s |
---|---|
Maksymalny czas otwarcia migawki | 1.0 s |
Priorytet migawki | Tak |
Priorytet przysłony | Tak |
Kompensacja ekspozycji plus | 3 |
Kompensacja ekspozycji minus | -3 |
Wbudowana lampa błyskowa | Tak |
Zasięg błysku | 15.0 m |
Tryby lampy błyskowej | Redukcja czerwonego oka |
Zewnętrzna lampa błyskowa | Tak |
Samowyzwalacz | Tak |
Opcje samowyzwalacza |
|
Typ nadwozia | Duża lustrzanka |
---|---|
Kolor produktu | Czarny |
Uszczelniony | Tak |
Kompatybilne karty pamięci |
|
---|---|
Rodzaje przechowywania |
|
HDMI | Nie |
---|---|
Wersja USB | 2.0 |
Pilot | Tak |
ISO minimum | 100 |
---|---|
ISO maks | 1600 |
Ustawienia balansu bieli | 7 |
Niestandardowy balans bieli | Tak |
Rodzaj stabilizacji obrazu | Nie |
Nieskompresowany format | RAW |
Rozmiar ekranu | 2.0 in |
---|---|
Technologia ekranu | LCD |
Kropki na ekranie | 235000 |
Ekran dotykowy | Nie |
Na żywo | Nie |
Wizjer | Optyczny |
Zasięg wizjera | 94.0 % |
Prędkość klatek Motion JPEG | 2.5 fps |
---|
Waga | 815.0 g |
---|---|
Szerokość | 147.8 mm |
Wysokość | 78.5 mm |
Głębokość | 135.3 mm |
Technologia akumulatorowa | Wodorek niklowo-metalowy |
---|
Nagrywanie poklatkowe | Tak |
---|---|
Czujnik orientacji | Tak |
Although it was unveiled in early February 2004, it took just over 11 months for Fujifilm's FinePix S3 Pro to reach dealers' shelves. The new model, which is targeted at professional photographers and high-end enthusiasts, is based on the Nikon F80 but, rather than using an existing Nikon body, it has a single-piece polycarbonate shell that has been customised for digital photography. It's slightly wider and taller than its predecessor, but also marginally slimmer, with more rounded contours.
First Look posted 01/18/2005 Full review posted 02/23/2005 Click to take a QuickTime tour of the S3 Pro The FinePix S3 Pro features a 12.34 million effective pixels Fujifilm Super CCD SR II image sensor designed specifically for professional photography. It creates a wider dynamic range to
The S3 Pro was first announced on 5th February 2004, in the run up to the PMA show in Las Vegas. At that time the announcement was strictly the 'development of' type with very brief specifications and an expected completion date of 'second half of 2004'. Eight month later we've got our hands on a pre-production camera which is fully operational (although not final firmware). The camera looks and feels a 'level above' the S2 Pro, the new camera has a more rounded appearance with chunkier hand grips and more use of rubber around the hand grip and on the rear. In addition the S3 Pro now has a vertical had grip and shutter release button for easy portrait shooting.
Photos © 2004, Steve Bedell, All Rights Reserved
Fujifilm FinePix Pro
The fascination with infrared photography has been around for a long time. In olden days it required loading and unloading film in the dark and even keeping it safe in its canister prior to use, which these days can play havoc when taking it on planes as TSA officials have every right to open the canister for inspection. (Imagine explaining the need to keep the film in its canister in the dark with 100 harried travelers in line behind you.) More recently, photographers discovered the modification that can be made to digital SLRs that allows them to make infrared
Fuji's S3 Pro marries Nikon know-how with Fuji sensor technology
Detailed review of Fuji FinePix S3 Pro, with actual sample images, and a detailed data sheet.
The S3 Pro was first announced on 5th February 2004, in the run up to the PMA show in Las Vegas. At that time the announcement was strictly the 'development of' type with very brief specifications and an expected completion date of 'second half of 2004'. Eight month later we've got our hands on a pre-production camera which is fully operational (although not final firmware). The camera looks and feels a 'level above' the S2 Pro, the new camera has a more rounded appearance with chunkier hand grips and more use of rubber around the hand grip and on the rear. In addition the S3 Pro now has a vertical had grip and shutter release button for easy portrait shooting.
Produces top-notch photos and will appeal to photographers with a stash of Nikon lenses.
Built like the proverbial tank, but with a touch of silk
Fujifilm FinePix Pro
Fujifilm FinePix S3 Pro Digital SLRs user reviews : 4.2 out of 5 - 13 reviews - photographyreview.com
Fujifilm S3 Pro UVIR review, find out how the S3 Pro UVIR stacks up against the competition in our real-world review with in-depth image quality comparisons.
Fuji’s long awaited S3 Pro is a superb piece of kit, ideal for the social photographer however it’s a bit pricey given the latest kit on the