Type d'objectif | Ordinaire |
---|---|
Monture de lentilles | Pentax KAF |
Ouverture max | 1.4 |
---|---|
Ouverture min | 22 |
Anneau d'ouverture | Oui |
Nombre de lamelles de diaphragme | 6 |
Éléments | 7 |
---|---|
Groupes | 6 |
Poids | 221.0 g |
---|---|
Diamètre | 37.0 mm |
Longueur | 65.0 mm |
Does not rotate on focusing | 49.0 mm |
Taille maximale du format | Plein cadre |
---|---|
Distance focale | < 50 |
Distance focale équivalente à 35 mm | < 75 |
Angle de vue | < 47 |
Grossissement maximum | 0.15 x |
Stabilisation d'image | Non |
Méthode de mise au point | Unité |
---|---|
Autofocus | Oui |
Type de moteur autofocus | Vis d'entraînement de la caméra |
Distance de mise au point la plus proche | 0.45 m |
Échelle de distance | Oui |
Échelle de profondeur de champ (DoF) | Oui |
Couleur du produit | Noir |
---|---|
Type de bouchon d'objectif | Cap F 49mm |
Collier trépied | Non |
Hotte fournie | Non |
OpticalLimits - Lens reviews and beyond!
Find out what 14 readers thought of the Pentax 50mm f/1.4 SMC P-FA in our review.
The Pentax smc FA 50mm F1.4 is something of an anomaly in the company's current lens lineup, as the last of their film-era primes featuring plastic construction and an aperture ring. This actually reflects the fact that Pentax are probably the leading proponents of modern-design fixed-focal length lenses, with their range of compact 'pancake' lenses and 'Limited' series high quality primes being the envy of users of other systems. Indeed we can probably presume that the 50mm F1.4 will itself be superseded by the recently-announced Pentax-DA* 55mm F1.4 SDM lens, but in the meantime it stands as the most obvious option for users seeking a fast prime for low light and portrait work.
The Pentax SMC FA 50mm F1.4 lens struggles to keep up with modern high-resolution cameras.
Composer Pro II with Edge 50 Optic
12mm T1.6 Hyperprime Cine
7.5mm F2.8
XEEN 85mm T1.5
24mm T1.5 Cine
XEEN 24mm T1.5