Słaby | Przeciętny | Dobry | Świetny | |
---|---|---|---|---|
Rozmiar ekranu | 2,5 in Najlepsza: Sony Cyber-shot DSC-W710 Rozmiar ekranu: 6,7 in | |||
ISO maks | 3200 Najlepsza: Pentax KP ISO maks: 819200 | |||
Efektywne piksele | 11 Mpx Najlepsza: Hasselblad H6D-100c Efektywne piksele: 100 Mpx | |||
Maksymalna rozdzielczość | 3840 x 2880 px Najlepsza: Leica M11 Maksymalna rozdzielczość: 9528 x 6328 px |
Typ czujnika | CCD |
---|---|
Rozmiar czujnika | 8.8 mm |
Efektywne piksele | 11.0 Mpx |
Współczynnik obrazu w: h |
|
Maksymalna rozdzielczość | 3840 x 2880 px |
Inne uchwały |
|
Zoom optyczny | 14.3 x |
---|---|
Zoom cyfrowy | 2.0 x |
Minimalna apertura | 2.8 |
Maksymalny otwór przysłony | 5.3 |
Równ. Ogniskowej | 28 - 400 |
Regulacja ostrości | Manualny |
Autofocus |
|
Ręczne ustawianie ostrości | Tak |
Normalny zakres ostrości | 50.0 cm |
Zakres ostrości makro | 0.99 cm |
Stabilizator obrazu | Optyczny |
Filtruj wątek | Tak |
Składana optyka | Nie |
Średnica filtra | 67.0 mm |
Tryby fotografowania |
|
---|---|
Minimalny czas otwarcia migawki | 30.0 s |
Maksymalny czas otwarcia migawki | 1.0 s |
Priorytet migawki | Tak |
Priorytet przysłony | Tak |
Opóźnienie samowyzwalacza | 2.0 s |
Histogram | Tak |
Wbudowana lampa błyskowa | Tak |
Zasięg błysku | 4.3 m |
Tryby lampy błyskowej |
|
Zewnętrzna lampa błyskowa | Tak |
Ciągły napęd | 3.0 fps |
Tryby scen |
|
Samowyzwalacz | Tak |
Obsługa 3D | Nie |
Opcje samowyzwalacza |
|
Typ nadwozia | Kompaktowy |
---|---|
Kolor produktu | Czarny |
Uszczelniony | Nie |
Pamięć wewnętrzna | 25.0 mB |
---|---|
Kompatybilne karty pamięci |
|
Rodzaje przechowywania |
|
HDMI | Nie |
---|---|
Wersja USB | 2.0 |
Pilot | Tak |
PictBridge | Tak |
NFC | Nie |
Sieć bezprzewodowa (Wi-Fi) | Nie |
Bluetooth | Nie |
Wyjście AV | Tak |
ISO | Automatyczny |
---|---|
ISO Auto | Tak |
ISO minimum | 64 |
ISO maks | 3200 |
Minimalne ISO (boost) | 6400 |
Maksymalne ISO (boost) | 10000 |
Ustawienia balansu bieli | 6 |
Tryby balansu bieli |
|
Niestandardowy balans bieli | Tak |
Obsługiwane formaty plików graficznych |
|
Stabilizator obrazu | Tak |
Rodzaj stabilizacji obrazu | Optyczny |
Rozmiar ekranu | 2.5 in |
---|---|
Odchylany wyświetlacz LCD | Nie |
Technologia ekranu | LCD |
Kropki na ekranie | 230000 |
Ekran dotykowy | Nie |
Na żywo | Tak |
Wizjer | Elektroniczny |
Maksymalna rozdzielczość | 640 x 480 px |
---|---|
Nagrywanie wideo | Tak |
Obsługiwane formaty plików wideo | MJPEG |
Odtwarzanie z aparatu | Pokaz slajdów |
Maksymalna liczba klatek na sekundę (najwyższa rozdzielczość) | 30.0 fps |
Prędkość klatek Motion JPEG | 30.0 fps |
Waga | 918.0 g |
---|---|
Szerokość | 133.4 mm |
Wysokość | 93.6 mm |
Głębokość | 150.4 mm |
Technologia akumulatorowa | Litowo-jonowy |
---|---|
Bateria do ponownego naładowania | Tak |
Nagrywanie poklatkowe | Nie |
---|---|
GPS | Nie |
Czujnik orientacji | Nie |
Tryby edycji obrazu |
|
Fuji's FinePix S100FS (Film Simulation) is an electronic viewfinder digicam that's designed to produce film-like images at the point of capture. How it does it is not all that different than a D-SLR set on Picture Styles or similar, but the S100FS does this with menu items with such magical names as Provia and Velvia, Fujifilm's renowned slide emulsions. Overlooked in all this film simulation hoopla is the fact that the S100FS is a state-of-the-art digital camera that wraps up a lot of technology into a relatively affordable and easy-to-use package.
An SLR-sized camera with advanced shooting capabilities.Fujifilm's FinePix S100fs (the 'fs' tag stands for film simulation) is targeted at amateur photographers who want the manual controls and functionality of a DSLR without the hassle of interchangeable lenses. However, although the 11.1-megapixel S100fs is similar in size to some entry-level DSLRs, its image sensor remains significantly smaller (see below). On the plus side, the 14.3x optical zoom range on the Fujifilm camera is vastly wider than the 3x optical zoom range on most DSLRs' kit lenses. It also offers video recording capabilities. On the minus side, it's about 160 grams heavier than the D60 with the 18-55mm VR kit lens.
Fujifilm S100FS review, find out how the S100FS stacks up against the competition in our real-world review with in-depth image quality comparisons.
For many years, consumers wanting more control and range than a compact but lower weight and cost than a DSLR have been able to buy 'bridge' cameras, which look a lot like DSLRs but do away with the bulky, expensive mirror assembly that defines an SLR. They have traditionally had smaller sensors which allow long zoom lenses to be created in a relatively smaller space.
14.3x optical zoom and 11.1-megapixel snaps
Fujifilm has a long-established fan base for its interchangeable lens digital SLRs, based on a Nikon body, but in recent years has tended to concentrate on its fixed lens digicams. The Fujifilm FinePix S100FS confirms this situation spectacularly. The camera captures 11.1 megapixel images onto a 17 mm CCD, via a substantial Fujinon 14.3x optical
Is Fujifilm's new 11.1MP superzoom flagship a bridge too far? Cliff finds out.
Expert reviews of all the latest cameras, lenses, smartphones and accessories, since 2003.
You can buy a DSLR for less than £400, so we want to know what the FinePix has?
Fuji Finepix S100FS Advanced Prosumer Digital Camera
Fuji Finepix S100FS Review: Features, Suitability and Capability
Australia's top photography experts give inspiring ways to improve your photos. Easy to follow advice on everything from buying the right camera gear through to shooting technique, editing, printing and organising your photos.
Fujifilm FinePix S100FS Above 10 Megapixel user reviews : 4.2 out of 5 - 10 reviews - photographyreview.com
The Fujifilm FinePix S100FS is an 11-megapixel superzoom that strikes a happy medium between dSLR and bridge cameras. It's a solid build with a wide lens and a mechanically stabilised zoom. It performs well and the controls are easy to use, while the LCD screen hinges out the back of the camera
For many years, consumers wanting more control and range than a compact but lower weight and cost than a DSLR have been able to buy 'bridge' cameras, which look a lot like DSLRs but do away with the bulky, expensive mirror assembly that defines an SLR. They have traditionally had smaller sensors which allow long zoom lenses to be created in a relatively smaller space.