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| Mikrofontyp | Bühnen- / Performance-Mikrofon |
|---|---|
| Richtungstyp | Superniere |
| Ausgangsimpedanz | 25.0 Ω |
| Dynamikbereich des Empfängers | 117.0 dB |
| Total Harmonic Distortion (THD) | 1.0 % |
| Farbe des Produkts | Schwarz |
|---|
| Geräteschnittstelle | XLR-3 |
|---|---|
| Konnektivitätstechnologie | Verdrahtet |
| Energieverbrauch | 5.0 mA |
|---|---|
| Betriebsspannung | 48.0 V |
| Eingangsimpedanz | 25.0 Ω |
|---|---|
| Signal-Rausch-Verhältnis (SNR) | 81.0 dB |
| Empfindlichkeit | -30.0 dB |
| Frequenzbereich | 40 - 20000 |
| Breite | 19.0 mm |
|---|---|
| Höhe | 255.0 mm |
| Tiefe | 19.0 mm |
| Gewicht | 163.0 g |
| Desktop-Ständer | Nein |
|---|
RØDE recently announced the NTG5, a broadcast shotgun microphone. Now that it is available I thought I should put it through its paces.
Rode's new NTG5 makes pro-quality location recording more affordable than ever.
The Rode NTG-3 microphone, shown here in the Rode Blimp mount sans windscreen, delivers great performance at a moderate price. Users of short shotgun microphones can be sorted into two categories. Those who complain about spending $250 to $500 on a mic, and those willing to spend $1000 to $2000 on one. Into the first [...]Read More... from Review: Rode NTG-3 short shotgun microphone and Blimp windshield
The Shotgun Microphone from Down Under Sound. It's just as important, if not more important, than picture. That axiom has been true since the advent of
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