Schwach | Durchschnitt | Gut | Exzellent | |
---|---|---|---|---|
Treibergröße | 40 mm Am besten: Hauppauge XFones Treibergröße: 400 mm | |||
Impedanz | 16 Ω Am besten: Stax SR-L500 Impedanz: 145000 Ω | |||
Gewicht | 187 g Am besten: Cyber Acoustics ACM-7002 Gewicht: 0,11 g |
Tonausgabe | Stereo |
---|---|
Stil | Over-Ear |
Konnektivitätstechnologie | Verdrahtet |
Headset (integriertes / beiliegendes Mikrofon) | Ja |
Gewicht | 187.0 g |
---|
Mikrofontyp | Inline-Mikrofon |
---|
Tasten | Volumen |
---|
Farbe des Produkts |
|
---|---|
Akustisches Design | Geschlossen |
Faltbar | Ja |
Impedanz | 16.0 Ω |
---|---|
Frequenzbereich | 3 - 100000 |
Treibertechnologie | Dynamisch |
Treibergröße | 40.0 mm |
Maximale Eingangsleistung | 1500.0 mW |
Kabellänge | 1.2 m |
---|---|
Steckertyp | 3,5 mm |
USB | Nein |
Belastbarkeit | 1500.0 mW |
---|
In 2016, Sony released one of its highest-end pair of headphones, the MDR-Z1R - which, at $2,599, puts them well out of reach for most, except for the hardcore audiophile with deep pockets.. Read more at straitstimes.com.
Headphone quality can be broken down into three groups. The lowest tier is made up of inexpensive headphones, which usually emphasize added features instead of sound quality. The highest tier is audiophile equipment, which usually costs thousands of dollars by the time you’ve got all the equipment you need. But there’s a middle point between cheap junk, and audiophile grade cans. If you value sound quality but you don’t have an unlimited budget, that mid-point is where you want to find your next pair of headphones. From there, it’s possible to get your hands on high resolution audio that can
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Solid 2
EO-EG920B
SHE3200
SHB5000
109396
EP-103