Linsentyp | Normal |
---|---|
Objektivfassung | Canon EF |
Blende max | 2.8 |
---|---|
Blende min | 22 |
Blendenring | Nein |
Anzahl der Membranblätter | 7 |
Konstruktion | Fest |
---|---|
Elemente | 6 |
Gruppen | 4 |
Spezielle Elemente / Beschichtungen | 1 Asphärisches Element |
Gewicht | 130.0 g |
---|---|
Durchmesser | 68.2 mm |
Länge | 22.8 mm |
Filtergröße | 52.0 mm |
Maximale Formatgröße | Vollbild |
---|---|
Brennweite | < 40 |
Maximale Vergrößerung | 0.18 x |
Bildstabilisierung | Nein |
Fokusmethode |
|
---|---|
Autofokus | Ja |
Motortyp Autofokus | STP |
Vollzeit manuelle Fokussierung | Ja |
Nächste Fokussierentfernung | 0.3 m |
Entfernungsskala | Nein |
DoF-Skala (Depth of Field) | Nein |
Farbe des Produkts | Schwarz |
---|---|
Stativkragen | Nein |
Haube geliefert | Nein |
Gewinde filtern | Ja |
Abdichtung | Nein |
The Canon EF 40mm f/2.8 STM is a pancake prime lens for APS-C and full-frame DSLR cameras. Offering continuous AF while capturing video with compatible cameras, the ultra-slim Canon EF 40mm f/2.8 STM retails for just £229.99 / €279.99 / $199.99. Read our in-depth Canon EF 40mm f/2.8 STM review complete with full-size sample images to find out if it's worth the modest outlay.
Canon EF 40mm f/2.8 STM Review
Canon EF 40mm f/2.8 STM - APS-C Format Review
Announced this past June alongside the Canon EOS Rebel T4i DSLR camera, the new Canon EF 40mm f/2.8 STM is an ultra-slim, entry-level pancake lens that uses Canon’s Stepping Motor Technology (STM) to enable extra-quiet continuous autofocus, making it well-suited for video shooting.
Looking for a Canon 40mm lens review? Read on to find out what we uncovered in our objective optical lab tests.
The Canon EF 40mm f/2.8 STM is a low-profile lens for street photography, suited for full-frame cameras
Pancake lenses have come into some popularity in recent years, and Canon has answered with their own version, the EF 40mm f/2.8 STM. Some may question the point of a fixed lens that is only f/2.8 these days, but there are plenty of reasons to pick up a lens such as this. I have quite enjoyed my time with the lens so far, and I am looking forward to spending a lot of time with it in the future. Read on for my review of this little (and I do mean little) lens.
Composer Pro with Sweet 35 Optic
85mm F1.4 Aspherical IF
Control Freak
24mm F1.4 ED AS IF UMC
Composer Pro II with Edge 50 Optic
35mm F5.6