Linsentyp |
|
---|---|
Objektivfassung | Canon EF |
Blende max | 2.8 |
---|---|
Blende min | 22 |
Blendenring | Nein |
Anzahl der Membranblätter | 9 |
Konstruktion | Zoomen |
---|---|
Elemente | 16 |
Gruppen | 11 |
Spezielle Elemente / Beschichtungen |
|
Power Zoom | Nein |
Zoom-Methode | Intern |
Gewicht | 790.0 g |
---|---|
Durchmesser | 88.5 mm |
Länge | 127.5 mm |
Filtergröße | 82.0 mm |
Maximale Formatgröße | Vollbild |
---|---|
Brennweite | 16 - 35 |
Maximale Vergrößerung | 0.25 x |
Bildstabilisierung | Nein |
Fokusmethode | Intern |
---|---|
Autofokus | Ja |
Motortyp Autofokus | Ringtyp Ultraschall |
Vollzeit manuelle Fokussierung | Ja |
Nächste Fokussierentfernung | 0.28 m |
Entfernungsskala | Ja |
DoF-Skala (Depth of Field) | Nein |
Farbe des Produkts | Schwarz |
---|---|
Zoomsperre | Nein |
Stativkragen | Nein |
Haube geliefert | Ja |
Gewinde filtern | Ja |
Abdichtung | Ja |
Canon EF 16-35mm f/2.8 USM L III - Review / Test
The latest version of the Canon EF 16-35mm f/2.8L III USM lens is its best take on an f/2.8 wide zoom yet.
The Canon EF 16-35mm f/2.8L III USM is the fastest wide-angle zoom in Canon's extensive lens range. Boasting a constant maximum aperture of f/2.8 and very fast and quiet auto-focusing, the new EF 16-35mm f/2.8L III USM is the successor to the wildly popular, 7-year old Mark II version. Read our in-depth Canon EF 16-35mm f/4L IS USM review, complete with full-size sample images, to find out what this new lens is capable of...
The Canon EF 16-35mm f/2.8L USM III ‘trinity’ zoom is a major overhaul
Canon EF 16-35mm f/2.8L III USM Review | Photographer Dustin Abbott shares a thorough, real world review of the world class Canon 16-35L III wide angle lens
Find out if the Canon 16-35mm lens is right for you.
Was the third time the charm for the Canon 16-35mm F2.8L? To find out check out our full review. Read more
Canon has launched the 3rd iteration of its popular EF 16-35mm f/2.8L wide-angle zoom lens, predominantly for full frame press, sport and action photographers. Significant improvements to outer field sharpness on the new $2199 EF 16-35mm f/2.8L III also make it a viable option for landscape or astrophotography on the 50Mp EOS 5DS R, as well as wedding or event photography on the EOS 5D Mark IV. Although headline specifications are basically the same as its predecessor, improvements to the new lens’s durability, including water and dust resistance, equip the new lens better for the hammer of pro shooting in fast-paced, all-weather environments. Despite being specifically intended for use on full frame Canon DSLRs, the new EF 16-35mm f/2.8L III also remains compatible with Canon APS-C sensor cameras, such as the 7D Mark II, where it offers a less wide-angle and less useful 26-52mm equivalent focal range.
The Canon 16-35mm f2.8 L III USM is a pretty expensive lens that delivers when it comes to quality. But then there are other considerations.
Composer Pro
Composer Pro with Sweet 50 Optic
24mm F1.4 ED AS IF UMC
150mm F2.8 EX DG Macro HSM
Cine 11mm T4.3
55mm F1.4