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| Type d'objectif | Ordinaire |
|---|---|
| Monture de lentilles | Leica L |
| Ouverture max | 1.4 |
|---|---|
| Ouverture min | 16 |
| Anneau d'ouverture | Non |
| Construction | Fixé |
|---|
| Poids | 1065.0 g |
|---|---|
| Diamètre | 88.0 mm |
| Longueur | 124.0 mm |
| Taille du filtre | 82.0 mm |
| Taille maximale du format | Plein cadre |
|---|---|
| Distance focale | < 50 |
| Stabilisation d'image | Non |
| Méthode de mise au point | Interne |
|---|---|
| Autofocus | Oui |
| Distance de mise au point la plus proche | 0.6 m |
| Couleur du produit | Noir |
|---|---|
| Fil de filtre | Oui |
The Leica SL 50mm f1.4 is a nice lens when it comes to the image quality. But there's a lot holding a photographer back from buying one.
Back at Photokina 2016, I had the pleasure of sitting down and discussing SL lenses with Peter Karbe, the head of optics at Leica. You can click the link to read the full interview, which has some great info, but the main takeaway is this: the SL lenses represent the next generation of optical design at …
Leica's fast, normal prime for its full-frame SL system went on sale late last year. Prepared for some heavy lifting, we've spent some time taking it around town. See gallery
Sigma150mm F2.8 EX DG Macro HSM
IrixCine 11mm T4.3
7Artisans35mm F5.6
Rokinon24mm T1.5 Cine
7Artisans7.5mm F2.8
LensbabyComposer Pro with Sweet 50 Optic
Samyang 135mm T2.2 VDSLR ED UMC
Samyang XEEN 85mm T1.5
Rokinon 85mm T1.5 Cine DS
Lensbaby Control Freak
Lensbaby Composer Pro II with Edge 50 Optic
Lensbaby Composer Pro with Sweet 35 Optic
SLR Magic 12mm T1.6 Hyperprime Cine
Sigma 18-200mm F3.5-6.3 DC
Irix Cine 45mm T1.5
Rokinon 135mm T2.2 Cine DS
Lensbaby Composer Pro
Samyang XEEN 24mm T1.5
