Faible | Moyenne | Bon | Excellent | |
---|---|---|---|---|
Taille de l'écran | 3 in Meilleur: Sony Cyber-shot DSC-W710 Taille de l'écran: 6,7 in | |||
ISO maximum | 6400 Meilleur: Pentax KP ISO maximum: 819200 | |||
Pixels efficaces | 16 Mpx Meilleur: Hasselblad H6D-100c Pixels efficaces: 100 Mpx | |||
Résolution max | 4896 x 3264 px Meilleur: Leica M11 Résolution max: 9528 x 6328 px |
Type de capteur | CMOS |
---|---|
Format du capteur d'image | APS-C |
Taille du capteur | 23.6 mm |
Pixels efficaces | 16.0 Mpx |
Rapport d'image w: h |
|
Résolution max | 4896 x 3264 px |
Autres résolutions |
|
Processeur | EXR Pro |
Monture de lentilles | Fujifilm X |
---|---|
Grossissement (facteur de culture) | 1.52 x |
Ouverture maximale | 2 |
Assistance AF (éclairage d'assistance à la mise au point automatique) | Lampe |
Réglage de la mise au point | Auto / Manuel |
Contraste autofocus | Oui |
Réglage du contraste | Oui |
Autofocus en mode enregistrement | Oui |
Multiplicateur de distance focale | 1.5x |
Autofocus |
|
Mise au point manuelle | Oui |
Nombre maximum de collimateurs AF (assistant inclus) | 49 |
Stabilisateur d'image | Basé uniquement sur l'objectif |
Diamètre du filtre | 52.0 mm |
Autofocus à détection de phase | Oui |
Nombre de collimateurs AF (contraste) | 49 |
Type d'obturateur de la caméra | Mécanique |
---|---|
Vitesse d'obturation minimale | 30.0 s |
Vitesse d'obturation maximale | 1.0 s |
Priorité d'obturation | Oui |
Priorité d'ouverture | Oui |
Mode d'exposition manuel | Oui |
Compensation d'exposition plus | 2 |
Compensation d'exposition moins | -2 |
Étapes de l'indemnisation des frais | 1/3 |
Verrouillage automatique de l'exposition | Oui |
Étapes AE EV |
|
Prise de vue en continu | Oui |
Retard du retardateur |
|
Bracketing WB | Non |
Modes sujet / scène | Non |
Vitesse de synchronisation du flash | 1/180s |
Flash intégré | Non |
Modes de flash |
|
Connexion flash externe | Chaussure chaude |
Système de mesure du flash | TTL |
Flash externe | Oui |
Entraînement continu | 6.0 fps |
Modes scène | Panorama |
Retardateur | Oui |
Modes de mesure |
|
Paramètres manuels | Oui |
Options du retardateur |
|
Vitesse (JPEG) | 6.0 fps |
Vitesse (RAW) | 6.0 fps |
Bracketing d'exposition | 0.3 - 1.0±EV |
Microphone intégré | Oui |
---|---|
Type de microphone | Stéréo |
Type de haut-parleur | Mono |
Enregistrement vocal | Oui |
Poids | 400.0 g |
---|---|
Largeur | 139.5 mm |
la taille | 81.8 mm |
Profondeur | 42.5 mm |
Type de source d'alimentation | Batterie |
---|---|
Autonomie de la batterie (CIPA) | 300 |
Technologie de la batterie | Lithium-Ion |
Nombre de batteries prises en charge | 1 |
Adaptateur secteur inclus | Oui |
Bouton ON / OFF | Oui |
Enregistrement timelapse | Non |
---|---|
GPS | Non |
Capteur d'orientation | Oui |
Calendrier | Oui |
Organisation de l'album | Oui |
Certifié Energy Star | Non |
Cadre | Oui |
Montage sur trépied pris en charge | Oui |
Modes d'édition d'image |
|
ISO |
|
---|---|
ISO automatique | Oui |
ISO minimum | 200 |
ISO maximum | 6400 |
ISO minimum amélioré | 100 |
ISO maximum amélioré | 25600 |
Résolution d'image maximale | 4896 x 3264 px |
Préréglages de balance des blancs | 7 |
Modes de balance des blancs |
|
Balance des blancs personnalisée | Oui |
Formats de fichier image pris en charge |
|
effets photo | Sépia |
Stabilisateur d'image | Non |
Type de stabilisation d'image | Non |
Rapports hauteur / largeur pris en charge |
|
Format non compressé | RAW |
HDR | Non |
Prise en charge AEB / HDR | Oui |
Taille de l'écran | 3.0 in |
---|---|
LCD articulé | Non |
Technologie d'écran | LCD |
Points d'écran | 1230000 |
Écran tactile | Non |
Champ de vision | 100.0 % |
Vue en direct | Oui |
Viseur | Hybride |
Taille de l'écran du viseur | 11.94 mm |
Couverture du viseur | 100.0 % |
Grossissement du viseur | 0.6 x |
Affichage d'informations séparé | Non |
Résolution maximale | 1920 x 1080 px |
---|---|
Enregistrement video | Oui |
Résolutions d'enregistrement |
|
Type HD | Full HD |
Formats de fichiers vidéo pris en charge | H.264 |
Lecture de la caméra |
|
Résolution maximale (fréquence d'images la plus élevée) | 1920 x 1080 |
Fréquence d'images maximale (résolution la plus élevée) | 24.0 fps |
Fréquence d'images maximale (quelle que soit la résolution) | 24.0 fps |
Fréquence d'images Motion JPEG | 24.0 fps |
Type de corps | MILC |
---|---|
Matériau du corps | Aluminium |
Couleur du produit | Noir |
Système anti-poussière | Oui |
Scellé à l'environnement | Non |
Cartes mémoire compatibles |
|
---|---|
Types de stockage |
|
mini connector | Oui |
---|---|
Quantité de ports HDMI | 1 |
Version USB | 2.0 |
PictBridge | Oui |
NFC | Non |
Réseau sans fil (Wi-Fi) | Non |
Firewire | Non |
There's was a time, not long ago, when the Fujifilm X-Pro1 was at the top-of-the-heap of the mirrorless camera world. Nowadays, though, you can get this retro-style digital camera for a reasonable price, which is why classic camera reviewer Mattias Burling says the 16MP X-Pro1 is a must-buy for bargain hunters. "The Fuji X-Pro1, once a high-end camera that many dreamt of owning," Burling says. "Today it's yesterday's news and can be found at the bottom of the used section for very little money."
Mirrorless cameras are generally geared toward the enthusiast or semi-pro consumer. Some companies, like Canon with its new EOS M offering, are seeking to cater to a broader market in features and styling.
Fujifilm's old-school X-Pro1 is one of the best mirrorless models we've ever tested.
The ultimate device for old-school hobbyists who crave the style and mechanical control of classic cams.
When Fujifilm announced its FinePix X100 retro-styled large-sensor compact at Photokina 2010, it captured the imagination of serious photographers in a way the company seemed not to have quite anticipated. The X100's combination of 'traditional' dial-based handling and outstanding image quality brought widespread plaudits, making it something of a cult classic despite its undeniable flaws. The subsequent addition to the range of the X10 compact, with its bright, manually-controlled zoom lens, has cemented Fujifilm's resurgence as a brand worthy of serious attention.
Fujifilm X-Pro1 is a 16.0MP Advanced Mirrorless camera with a APS-C sized CMOS X-TRANS I sensor and Fujifilm X mount. Read our X-Pro1 review to find its pros and cons.
The Fujifilm X-Pro1 is a top-notch mirrorless camera that is sure to appeal to optical viewfinder fans that are put off by the high price of Leica rangefinders.
Fujifilm's X-Pro1 - the company's first Compact System Camera - looks to be an impressive rangefinder-style camera. Does it deliver on its superior image quality claims? What Digital Camera's Fuji X-Pro1 review investigates...
I remember when Fujifilm first announced the X-Pro1 back in 2012. It was an exciting time for rangefinder enthusiasts, especially those of us who couldn’t afford to buy into the Leica M digital system. For myself, I imagined the X-Pro1 would feel like shooting with an old school rangefinder film camera, but with all the advantages of shooting digital. The X-Pro1 was Fujifilm’s first X Mount camera and was launched with three new prime lenses: XF18mmF2 R, XF35mmF1.4 R, and XF60mmF2.4 R MACRO. At the time, it seemed crazy that Fujifilm was betting on nostalgia, legacy design and function, with some unique technological solutions (X-Trans colour filter array, hybrid viewfinder) for their all-new digital interchangeable lens camera system. It had been decades since Fujifilm made a proprietary ILC system. Fujifilm was mostly known for all-in-one cameras, even back in the film days, or building cameras on existing mounts (eg. Finepix S1 Pro for Nikon F-mount). However, Fujifilm was betting on the X-Pro1 and this new X Mount as an alternative to other ILC systems, competing with brands with legacy mounts going back 50-60 years, mostly SLRs. I won’t ask if they were correct in making this bet because we all
Looking for a Fujifilm X-Pro1 review? I tested this unique big-sensor camera with all three prime lenses against the Sony NEX-7 and Canon EOS 7D!
Review of the Fujifilm X-Pro1 Digital Interchangeable Lens Camera
For a variety of reasons I was unable to review theFuji X-Pro 1when it came out in January, 2012. Among these was that I was in Mexico at the time and working on other projects. My colleagueNick Devlin had my proxy and wrote a couple of user reviews;Part 1andPart 2are found here. But now, six months [Read More]
When I first heard about this little number I was sceptical: Why? Whaffor? What’s doing? Then, when I actually held the magnesium alloy bodied, mirrorless interchangeable lens camera in my sweaty palms at a spiffy harbourside press preview, the penny finally dropped. It comes at a time when some camera companies are doing major rethinks […]
Fujifilm X-Pro1 (Body Only)
We go hands-on with the new Fujifilm X-Pro1 mirrorless camera and three new prime lenses.
Optima 105
Powerflex 455
Lumix DC-GX9H
J1050
DC-G90
PowerShot S50