Poor | Average | Good | Excellent | |
---|---|---|---|---|
Screen size | 3 in Best: Sony Cyber-shot DSC-W710 Screen size: 6.7 in | |||
ISO maximum | 409600 Best: Pentax KP ISO maximum: 819200 | |||
Effective pixels | 12 Mpx Best: Hasselblad H6D-100c Effective pixels: 100 Mpx | |||
Max resolution | 4240 x 2832 px Best: Leica M11 Max resolution: 9528 x 6328 px |
Sensor type | CMOS |
---|---|
Image sensor format | APS-C |
Sensor size | 1.41 in |
Sensor photo detectors | 12.0 Mpx |
Effective pixels | 12.0 Mpx |
Image ratio w:h |
|
Max resolution | 4240 x 2832 px |
Other resolutions |
|
Processor | BIONZ X |
Lens mount | E mount |
---|---|
Digital zoom | 4.0 x |
Magnification (Crop factor) | 1.0 x |
AF assist (auto-focus assist light) | Lamp |
Focus adjustment | Auto/Manual |
Contrast autofocus | yes |
Contrast adjustment | yes |
Saturation adjustment | yes |
Autofocus in recording mode | yes |
Focal length multiplier | 1x |
Autofocus |
|
Auto Focus (AF) lock | yes |
Manual focus | yes |
Number of focus points | 25 |
Image stabiliser | Lens based only |
Filter diameter | 2.64 in |
Phase detection autofocus | no |
Number of AF points (contrast) | 25 |
Camera shutter type | Electronic |
---|---|
Minimum shutter speed | 30.0 s |
Maximum shutter speed | 1.0 s |
Shutter priority | yes |
Aperture priority | yes |
Manual exposure mode | yes |
Number of exposures | 3 |
Exposure compensation plus | 5 |
Exposure compensation minus | -5 |
Expousure compensation steps |
|
Auto exposure lock | yes |
AE EV steps |
|
Continuous shooting | yes |
Self-timer delay | 10.0 s |
Histogram | yes |
AE frames |
|
WB Bracketing | Yes |
Subject / scene modes | yes |
Flash sync speed | 1/250s |
Built-in flash | yes |
Flash modes |
|
External flash connection | Hot shoe |
Flash metering system | TTL |
External flash | yes |
Continuous drive | 5.0 fps |
Scene modes |
|
Self-timer | yes |
Metering modes |
|
Manual settings | yes |
Self-timer options |
|
Speed (JPEG) | 5.0 fps |
Speed (RAW) | 5.0 fps |
Exposure bracketing | 0.3 - 2.0±EV |
Built-in microphone | yes |
---|---|
Microphone type | Stereo |
Built-in speakers | yes |
Speaker type | Mono |
Voice recording | yes |
Audio system | Mono |
Supported audio file formats |
|
Noise reduction | yes |
Weight | 15.73 oz |
---|---|
Width | 5.0 in |
Height | 1.9 in |
Depth | 3.72 in |
Power source type | Battery |
---|---|
Battery life (CIPA) | 340 |
Battery technology | Lithium |
Number of batteries supported | 1 |
AC adapter included | yes |
Timelapse recording | no |
---|---|
GPS | no |
Orientation sensor | yes |
ISO |
|
---|---|
ISO Auto | yes |
ISO minimum | 100 |
ISO maximum | 409600 |
Boosted ISO minimum | 50 |
Maximum image resolution | 4240 x 2832 px |
White balance presets | 10 |
White balance modes |
|
Custom white balance | yes |
Supported image file formats |
|
Photo effects | Black&White |
Image stabilizer | yes |
Image stabilization type | No |
Supported aspect ratios |
|
Uncompressed format | RAW |
HDR | yes |
AEB/HDR support | yes |
Screen size | 3.0 in |
---|---|
Articulated LCD | yes |
Screen technology | LCD TFT |
Screen dots | 921000 |
Touch screen | no |
Live view | yes |
Viewfinder | Electronic |
Viewfinder screen size | 0.5 in |
Viewfinder coverage | 100.0 % |
Viewfinder resolution | 2400000.0 px |
Viewfinder magnification | 0.71 x |
Separate info display | no |
Maximum resolution | 1920 x 1080 px |
---|---|
Video recording | yes |
Recording resolutions |
|
HD type | Full HD |
Supported video file formats |
|
Analog signal format system |
|
Camera playback |
|
Max resolution (highest frame rate) | 1280 x 720 |
Max frame rate (highest resolution) | 60.0 fps |
Max frame rate (regardless of res.) | 120.0 fps |
Motion JPEG frame rate | 30.0 fps |
Body type | MILC |
---|---|
Body material | Aluminum-magnesium |
Colour of product | Black |
Anti-dust system | yes |
Environmentally sealed | yes |
Compatible memory cards |
|
---|---|
Storage types |
|
Camera file system |
|
micro-HDMI port with 4:2:2 8-bit 4K or 1080 video output | yes |
---|---|
HDMI connector type | Micro |
USB connector type | Micro-USB B |
USB version | 2.0 |
Headphone port | yes |
Microphone port | yes |
Wireless | Built-In |
Supported WiFi types |
|
Remote control | yes |
PictBridge | no |
NFC | yes |
Wireless network (Wi-Fi) | yes |
Bluetooth | no |
Firewire | no |
The a7S is the third model in Sony's full-frame mirrorless lineup, a 12MP camera that puts as much emphasis on its movie capture capabilities as its still image prowess. While the a7S is a capable still shooter, Sony has emphasized that its real focus (no pun intended) is videography.
Sony’s 12.1-megapixel A7S III was worth the five-year wait.
Priced at Rs 3,34,990 for the body only, Sony A7S III features a new image processing engine, a touchscreen display, and brings few other changes to button placement.
The new Sony A7S II is the upgrade to the A7S and offers ultra-high sensitivity up to ISO409600 and 5-axis stabilization in what promises to be an impressive available-light camera. In addition, the A7S II builds on its predecessor’s video credentials, adding 4K (UHD) internal and Full HD video up to 120 fps. Read on to find out how well the sensor in this new model performs.
If you read the forums on colleagues’ sites lots of users lament the selling of their old full-frame Canon EOS 5D, Nikon D700 or even their bulky Nikon D3 or D3s. Practically every user, so it seems, says their pictures from those old models had something special that the newer models lack. Sony think they may be on to something and have introduced the A7S a full-frame model with a newly-developed 12.2-Mpix CMOS sensor. Read on to find out well this new model performs?
The 4K future is here, but is anyone ready?
Which high-end full-frame camera should I buy? This roundup contains the majority of current full-frame camera offerings available. Full-frame cameras have image sensors as large as a frame of 35mm film, and for good reason: larger sensors offer the potential for better image quality, low light performance, and dynamic range. If you want a drastic upgrade to the image quality of your phone, or portraits with superior subject to background separation, it’s hard to beat what full-frame offers.
Sony's moves in the field of consumer electronics can seem genius at times, and baffling at others. Its new full-frame mirrorless camera, the A7s, is a little bit of both. It's a camera that looks and functions exactly as previous A7 models, but with a few very specific, and exciting, features especially suited to video shooters.
I’ve been dragging the Sony A7S on all of my adventures for the last few months — shooting in broad daylight and the dead of night. It’s gotten dirty; even dropped. Here’s how it performed. Earlier this year while riding a $US450 motorcycle through Vietnam, I lost my backpack along...
I am not a Sony shooter, but, for the last couple of months, I’ve gotten a chance to play with the Sony a7S III and use it for an assortment of projects. Here are my impressions from the outside looking in. The other day I was having coffee with my mentor from the American Society of Cinematographers. He’s a very well-established cinematographer responsible for the looks of several highly-regarded movies and TV shows. So, I tend to listen to pretty much everything he says in search of any nuggets of advice I can use in my own work. I can ask him anything.
A finely tuned low-light 4K champion
This stellar performer packed with features, simpler to use than previous generations and built like a tank makes Sony’s video-centric camera a fantastic tool – and a filmmaker’s dream
The Sony Alpha A7s is a mirrorless system camera with a full-frame sensor. Announced in April 2014 it comes six months after the Alpha A7 and A7r, with all three sharing the same compact body, FE lens mount and full-frame sensor size. What makes the A7s different from its siblings is its resolution and video…
First impressions of the Sony A7s and comparison to the Sony A7r
As video cameras go, the Panasonic Lumix DMC-GH4 and Sony Alpha 7S are very DSLR-like in shape. A four-fold difference in sensor size, and a significant gulf in price suggests this may be the only similarity. However, in terms of intent, they're not as different as all this might lead you to expect. We've already had a quick look at the new features of the GH4 but here we're going to test the two cameras side-by-side - not necessarily to find a single 'winner' but to see where each camera's strengths and weaknesses lie.
DC C51
KodakC123
FinePix E550
C-70 Zoom
Lumix DC-GX9H
DC-G90