Lens type | Telephoto |
---|---|
Lens mount | Sony A |
Aperture max | 4.5-5.6 |
---|---|
Aperture min | 22-29 |
Aperture ring | no |
Number of diaphragm blades | 9 |
Aperture features | Rounded diaphragm |
Construction | Zoom |
---|---|
Elements | 16 |
Groups | 11 |
Power zoom | no |
Zoom method | Expanding |
Weight | 26.81 oz |
---|---|
Diameter | 3.25 in |
Length | 5.33 in |
Non rotating | 2.44 in |
Max Format size | Full-frame |
---|---|
Focal length | 70 - 300 |
Focal Length 35mm Equivalent | 105 - 450 |
Maximum magnification | 0.25 x |
Image stabilisation | no |
Focus method | Internal |
---|---|
Autofocus | yes |
Autofocus motor type | Ultrasonic |
Full-time Manual focusing | yes |
Closest focusing distance | 1.2 |
Distance scale | yes |
Depth of field (DoF) scale | yes |
Colour of product | Black |
---|---|
Tripod collar | no |
Hood supplied | yes |
Filter thread | yes |
Sealing | no |
Find out what 4 readers thought of the Sony 70-300mm f/4.5-5.6 G SSM SAL-70300G in our review.
A ruggedly built zoom lens with near-silent AF
Photographer Dustin Abbott shares a thorough, real world review of the Tamron 70-300mm F4.5-6.3 Di III RXD (A047) lens for Sony FE.
Read our detailed analysis of the Sony 70-300mm F4.5-5.6 G SSM II Telephoto Zoom lens, find out its pros and cons, and how it compares with the other lenses.
The Sony FE 70-300mm f/4.5-5.6 G OSS is the longest reaching E-mount lens for the Sony Alpha full-frame compact system camera range. Read our Sony FE 70-300mm f/4.5-5.6 G OSS review to find out if this lens is an essential purchase for Sony Alpha full-frame owners...
Sony 70-300mm f/4.5-5.6 SSM G (SAL-70300G) Review
The Sony 70-300 mm is a member of the "Gold series" by Sony, with lenses for professional photographers. There are several Sony lenses in this zoom
Full review of the new Sony 70-300mm F/4.5-5.6 G SSM lens. Corner sharpness, center sharpness, distortion, chromatic aberrations as observed and overall thoughts.
Control Freak
Cine 11mm T4.3
VDSLR 14mm T3.1 MK2
LensbabyComposer Pro
Composer Pro with Sweet 35 Optic
Composer Pro II with Edge 50 Optic