Lens type | Normal |
---|---|
Lens mount | Leica M |
Aperture max | 2 |
---|---|
Aperture min | 16 |
Aperture ring | yes |
Number of diaphragm blades | 11 |
Aperture features | Clickstops |
Construction | Fixed |
---|---|
Elements | 8 |
Groups | 5 |
Weight | 10.58 oz |
---|---|
Diameter | 2.09 in |
Length | 1.85 in |
Inner-threaded for screw-in filters | 1.54 in |
Max Format size | Full-frame |
---|---|
Focal length | < 50 |
Maximum magnification | 0.09 x |
Image stabilisation | no |
Autofocus | no |
---|---|
Closest focusing distance | 0.70 |
Distance scale | yes |
Depth of field (DoF) scale | yes |
Focus features | Floating focus |
Colour of product | Black |
---|---|
Body materials | Metal |
Tripod collar | no |
Hood supplied | yes |
Filter thread | yes |
Sealing | no |
The Leica 50mm f2 Summicron APO lens puts an updated spin on an old classic. Images are sharp and retain most of the Leica feel.
The Leica APO-Summicron-M 50mm f/2 ASPH. is as close to a perfect lens as I've ever used, but it costs more than the latest digital M.
All non-product images in this review were shot with a Leica M9-P and the 50/2 APO-Summicron-M ASPH, with the exception of the one B&W image lower down the review. Clicking on an image will bri…
Find out if the Leica 50mm lens is right for you.
Expert news, reviews and videos of the latest digital cameras, lenses, accessories, and phones. Get answers to your questions in our photography forums.
Cine 11mm T4.3
24mm F1.4 ED AS IF UMC
Composer Pro II with Edge 50 Optic
55mm F1.4
Control Freak
24mm T1.5 Cine