Name: Switchblade 50 TSC Combo
Brand: Hughes & Kettner
SKU: 168055
Rating: 4.3 (36 reviews)

Hughes & Kettner Switchblade 50 TSC Combo front

It is very effective for the solos
Manipulation of memory are very simple
The switchblade is a very versatile amp in the metal category

Only the master volume is obviously not memorable
tonal comparisons have become just too close to call
No miracle lamps with outbreaks in the preamp

Amplification technology: Valve (vacuum tube)
Power (rms): 50 W

Hughes & Kettner Switchblade 50 TSC Combo - Pros & Cons

It is very effective for the solos
Manipulation of memory are very simple
The switchblade is a very versatile amp in the metal category
The multi-effect is simple but well made
clean channel provides crystal clear sound
EQ is effective
A touch of reverb and chorus can be very nice
sounds are pretty good
The reverb is actually quite nice for a digital spring
MIDI switching channel works very well
It sounded great with both single coil and hum bucker
The lovely warm
clean tone and subtle crunch tones benefit

Only the master volume is obviously not memorable
tonal comparisons have become just too close to call
No miracle lamps with outbreaks in the preamp
experiencing tube problems
almost too powerful to play in bars
modulation effects lack any level of control so they are mostly useless
The high frequencies are nowhere near as loud as they used to be
It s not a real valve amp
not possible to dial in a totally different and crazy sound
it can sound a little muffled at very low volumes

Hughes & Kettner Switchblade 50 TSC Combo - Full Specifications

Amplification technology	Valve
Fullrange/bass element quantity	4
Fullrange/bass element size	8.0 in

Power (RMS)	50.0 W

Colour of product	Black

Hughes & Kettner Switchblade 50 TSC Combo - Q&A

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Hughes & Kettner Switchblade 50 TSC Combo Hughes & Kettner - Editorial Reviews (1)

Hughes & Kettner Switchblade 50 TSC Combo Hughes and Kettner Switchblade review

MusicRadar

Published: 17.09.2009

Hughes and Kettner Switchblade review

After a splurge of technological advances over the past decade that have seen amps and multi-effects units marrying authentic valve-like tones with complex operating systems, there has been a movement