Poor | Average | Good | Excellent | |
---|---|---|---|---|
Screen size | 2.5 in Best: Sony Cyber-shot DSC-W710 Screen size: 6.7 in | |||
ISO maximum | 3200 Best: Pentax KP ISO maximum: 819200 | |||
Effective pixels | 6 Mpx Best: Hasselblad H6D-100c Effective pixels: 100 Mpx | |||
Max resolution | 4256 x 2848 px Best: Leica M11 Max resolution: 9528 x 6328 px |
Sensor type | CCD |
---|---|
Image sensor format | APS-C |
Sensor size | 0.91 in |
Sensor photo detectors | 12.0 Mpx |
Effective pixels | 6.0 Mpx |
Image ratio w:h | 3:2 |
Max resolution | 4256 x 2848 px |
Other resolutions |
|
Lens mount | Nikon F |
---|---|
Focal length multiplier | 1.5x |
Autofocus |
|
Manual focus | yes |
Minimum shutter speed | 30.0 s |
---|---|
Maximum shutter speed | 1.0 s |
Shutter priority | yes |
Aperture priority | yes |
Exposure compensation plus | 5 |
Exposure compensation minus | -5 |
Expousure compensation steps |
|
Built-in flash | yes |
Flash range | 12 |
Flash modes |
|
External flash | yes |
Self-timer | yes |
Self-timer options | custom |
Weight | 32.45 oz |
---|---|
Width | 5.79 in |
Height | 4.45 in |
Depth | 2.91 in |
Battery technology | Lithium-Ion |
---|
Timelapse recording | no |
---|---|
Orientation sensor | yes |
ISO Auto | no |
---|---|
ISO minimum | 100 |
ISO maximum | 3200 |
White balance presets | 7 |
Custom white balance | yes |
Image stabilization type | No |
Uncompressed format | RAW |
Screen size | 2.5 in |
---|---|
Screen dots | 230000 |
Touch screen | no |
Live view | no |
Viewfinder | Optical |
Viewfinder coverage | 95.0 % |
Viewfinder magnification | 0.94 x |
Body type | Large SLR |
---|---|
Colour of product | Black |
Environmentally sealed | no |
Storage types | Compact Flash Type I/II |
---|
HDMI | no |
---|---|
USB version | 2.0 |
Remote control | yes |
Fujifilm IS Pro review, find out how the IS Pro stacks up against the competition in our real-world review with in-depth image quality comparisons.
The successor to Fuji's FinePix S3 Pro made its first, fleeting appearence at Photokina in September 2006, though it didn't start shipping until the spring of 2007 - keeping in line with Fuji's approx two-year gap between SLR models. The S5 Pro may have the same sensor (well, almost - more about that later) as the S3 Pro, but as a camera it is a quantum leap forward over the models that preceded it, being based on the highly-regarded Nikon D200 (all the previous models were based on consumer level Nikon film cameras).