Empfängertyp | Umgeben |
---|
Audioausgangskanäle | 5.2 |
---|---|
Audio-Rückkanal (ARC) | Ja |
Ausgangsleistung pro Kanal (1 kHz bei 6 Ohm) | 145.0 W |
Audio-Decoder |
|
Farbe des Produkts | Schwarz |
---|
Unterstützte Radiobands | FM |
---|---|
Anzahl der FM-Antennenanschlüsse | 1 |
Anzahl der voreingestellten Sender | 30 |
Automatische digitale Abstimmung | Ja |
Audio (L / R) in | 4 |
---|---|
Digital Audio optisch in | 1 |
Digitales Audio koaxial in | 1 |
Kopfhörerverbindung | 6.3 mm |
Kopfhörerausgänge | 1 |
Anzahl der HDMI-Eingänge | 4 |
Anzahl der HDMI-Ausgänge | 1 |
Anzahl der USB-Anschlüsse | 1 |
Bluetooth | Ja |
Ethernet LAN | Nein |
W-lan | Nein |
3D | Ja |
---|
Breite | 430.0 mm |
---|---|
Tiefe | 297.0 mm |
Höhe | 133.0 mm |
Gewicht | 7100.0 g |
Optisches Laufwerk enthalten | Nein |
---|---|
Kartenleser integriert | Nein |
Grafische Benutzeroberfläche (GUI) | Ja |
AirPlay | Nein |
At least on paper, Sony's newest entry-level AV receiver, the $279 STR-DH590, is designed for someone like me. Who am I, you ask? Well, I'm someone who loves my home theater system but is more of a videophile than an...
4K and HDR are the new resolution standard, period. 1080p is trying its darndest to stay relevant, but that ship is slowly sailing away. As a new generation of TVs enter our living rooms, the demand for updated audio equipment is becoming an international crisis. Okay… maybe that’s a bit of an overstatement, but it really is a problem. If you’re using a receiver that’s not built for 4K, you’re not really watching 4K quality video. If your receiver doesn’t have a direct pass 4K pass through, then you might as well have a 1080 set. That’s just the reality
DIGIBIT B1
RX-A870
VSX-D811
AdcomGFA-7605
ZX 4000
SR 2050 IEM